If I had to pick a moment in my career that triggered the “actor” in me, I would say it was after a stage reading in which I acted out a graphic scene of a soldier in the Jim Crow era getting beat by white officers. It was a based on a true story of a white Captain from the Bronx who was in charge of an all black platoon. After the performance I met his daughter, she cried and thanked me for my performance. She told me she felt like she was there. It was at that moment I felt that acting could transcend in such a way that can touch people. From that moment I understood the importance of a great performance and I strive to bring that level every time.
Did you study what you do
As a kid I was actually a student of music. I studied the piano and guitar and was classically trained at the Harlem school of the Art by the late Jim Bartow. Those lessons and practice habits would help me later as I transitioned into my film career. To build my training in acting and film I went on to join a few theater groups, The Complete Theater group, Winco Productions, and the Shakespeare forum.
What is your filmmaking process
I have been compared to a method actor. Although, I feel I use a few techniques in order to play a desired role. I will research the character if time allows, as well as review past performances to see how I can bring out qualities I enjoy watching myself.
Tell us about the work you have produced
Most recently I am produced on a short film called Thurman Comes Home in which I also play the lead, Thurman, who is a homeless man who meet his mentor one last time. I’m proud of this work because it sheds light on an underserved community. The film has been accepted to The People’s Film Festival. This marks our second festival invitation. It screens June 3rd at 1pm at The PEOPLE’S Film Festival in Harlem.
Another project I am extremely proud of is the feature film Diary of a Badman. I am a producer and supporting actor in the film. It has won 5 awards internationally and has screened to sold out shows venues in London, Toronto, Jamaica, and NYC. It has received international press which included the Huffington Post, the cover of the Jamaican and Toronto Star, radio and morning tv coverage.
Do you take courses to improve your craft
I received 3 diversity scholarships from Upright Citizens Brigade in which I studied Improv and presently sketch writing. I have also studied with private coach Annie Golden of Orange is the New Black.
How did you get into the film business
I have always been interested in film but I didn’t pursue it until I after I graduated college, worked at a few companies, and started a few a career in real estate. One day while working as a real estate agent I noticed a production sign on a pole, then a celebrity walked passed by me. I followed him in a school because I was curious about the project. I then asked a production assistant about the film and how I could be apart of it. He told me they needed extras for the next day and I took the information. The rest is history.
How do you turn an idea into a screenplay
To turn an idea into a screenplay I suggest researching other scripts. A suggestion would be to review scripts on the Internet Script Movie database. Also make sure you review structure by reading, The Screenwriter’s Bible by David Trottier. You can use Celtix a free app to outline and write your script. Then go for it. Have a mentor read it afterwards.
Explain your writing process
Writing is relatively new for me so I am still developing a process that works for me.
What writing tip or idea can you give young writers
The best tip or advise advice I could give a young writer is to find a mentor, someone whose work they appreciate , study the style of appreciated artists to use for inspiration and to keep writing.
Tell us about the directing work you ave done
Recently I co-directed a project with Jason Ross an autism activist. The project is called Autistic Rage. Jason who is autistic speaks candidly about growing up and finding his passion as a filmmaker. I also completed the 1st season of a web series called the DiRT as the assistant director. DiRT is short for Dis is Real Talk, an urban puppet news show. The complete season is available here
What do you want to change about the film business
Basically the model is already changing. Actors and directors have more control over their content. I want to be apart of that change by also offering a networking platform to filmmakers. A few years ago I created Birds Nest network as networking tool. I also created 2 networking groups kn facebook where Filmmakers, actors, or anyone in the industry so could connect and share their work freely.
What do you want to be remembered for
I would like to be remembered as a passionate actor who helped bring attention to issues that are often overlooked.
What do you want from an actor during production
In any production I would want an actor to be on time and respectful of everyone on set. I would want the actor to come prepared and with a positive attitude. Everything else will work out.
How do you prefer to work with a producer during a production
I would prefer to have a producer just as passionate about the project as the cast and crew.
What can a director do to ge into the film industry
I think what a director can do to get into the film industry is to create and share his/her work. It has become easier through the internet. The director has to create a space for the work to be showcased such as a professional website, vimeo, you tube, etc. Promotions will be needed to let others know about the work. If not no one will ever know how great you are. You can speak to a public relations person for help.
Who is your favourite director
Diemiruaye Deniran
Why
He is my favorite director because I was able to get to see him at work up close and I know how passionate he is about filmmaking. His writing makes you think and the stories are very intriguing. He also writes, edits, and films his own productions. He is a family man who gets them involved in the process which I think is awesome. I’ve learned how much dedication it takes to bring a project to life and have it become successful from him and for that I’m grateful. .
What advice would you give directors around the world
Advice I would give directors around the world is to be hands on and allow your actors to bring a part of themselves to the role. Don’t be so scripted and allow for some improv.
Briefly write about your career
In the last 5 years I have worked with award winning filmmakers, toured Diary of a Badman our award winning film in Toronto, London, and Jamaica. The team is currently in pre production for part 2 to be filmed in Jamaica. I am presently working with Dana Verde’s urban puppets while assistant directing veteran comedic talents, also voicing 2 puppets Darryl and Trevor. The team will be returning for season 2 in a new studio space this summer. I have performed stage plays, including Solider Story and Purlie Victorious to name a few. I also enjoying performing with Winco productions for black history month and anti bullying programs for school kids. I am grateful to work with talented actors and crew who I continue to learn from everyday.
I have an app called RBtheActor available in the Google Play store with links to my work, upcoming productions, and more.
In Conversation with Michael Oblowitz Director of Confidential Informant
Confidential Informant stars Mel Gibson, Dominic Purcell, and Kate Bosworth
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